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gostore بازدید : 31 یکشنبه 07 شهریور 1400 نظرات (0)
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Facts + Figuress
Location Tehran , Aftab city
Date Of Design 2016
Area 114000 m2
Height 15 m
Status Competition
Description

Architect Hassan Soltanpour
Nick Name Amin Soltanpour
Company Soltanpour Studio

 معمار : امین سلطانپور (حسن سلطانپور)

شرکت : سلطانپور استودیو

این مطلب از سایت : https://www.soltanpourstudio.com گرفته شده است

Design of islamic revolution and holy defense museum - Location: Sun city - Iran

-  We are going to design one museum called Sun city located in the southern part of Tehran Capital of Iran ...

- The Sun City has framed in the shape of circle in the center of Imam Khomeini cemetery (the leader of Iran revolution) and important national spaces such as Iranian International Exhibition and cemetery of Iran and Iraq war martyrs have been built beside this building. 

1: Aftab Namayeshgah
2: Enghelab islamic and 
      Defa moghadas museum
3: Imam Khomeini
4: Beheshte -e-Zahra
- City managers took into consideration to convert this city into cultural, pilgrimage, tourism and exhibition base. Consequently, the arrangement of their use was in the shape of beam located in the center of Imam Khomeini cemetery until they can establish more solidarity to different operations of the city ... But unlike city managers' programs, there is no solidarity of the suitable space in this city and the passing of Persian Gulf highway from the middle of this city has divided it into two separate part and the suitable walking access has not been predicted in this area as well. 
 
   

One question! :

Now we want to desig n one museum, the host of so many visitors.
However, because of some accesses mainly take place in highways, how can museum have relation with citizens who rarely pass by this place?
How is it possible to transfer isolated crowd of people who are not far from each other in distinctive spaces?  
And as a result we increase the boom and prosperity of present  collections.
 
historical experience :
 
We had this experience in traditional markets of Iran.... 
Moving shafts operated as a connector of some important city places which people also provided  their own necessaries when they passed by these places .The difference is that achieved provisions are not commodity but it is a kind of cultural product and a sort of awareness. 

 

   

Cultural sidewalk +  plaza =  Museum  

We will make some changes in city structure and construct a cultural sidewalk , we connect these four main city spaces and we will build one city square in stead of museum. 


 

 

Population :

This is a good excuse for us to connect important urban spaces can be conection bridge for complex ,for this purpose we locate museum building in the path walk.  
as a result audience of museum will be promoted to wide range of urban users and urban pedestrians have opportunity to visit part of the museum for free without getting into the museum.     
 
New plaza :
 
Under whatever pretext other paths on the sidelines site is drawn into the site. an urban plaza added to the Sun city . in this region there is not  an acting urban plaza .  
 
 
 
We simply divide the project in half until branching directions from city meet each other in this place. 
Consequently, the building will provide the chance for presentation a part of its inside content for general viewers and the part of the people of society who did not intend to visit the museum, therefore, we have the role of informing the society about historical events...
It has been drawn the broad volume light inside the operating spaces into the lowest surface with locating 15 central yards in the surface of building ( just like central yards in existing buildings in old cities of Iran),  and in this way a pleasurable environment was constructed with suitable  shadow in broad surface of building  and it will be converted into the park with planting trees and pleasant stopover for  pedestrians  passed by it. 
 
 
 
The building is inside the city or the city is inside the building :
 
It will be possible to see Imam Khomeini and war martyrs cemetery in the north part of the building with stratifying the landscape in the middle of building and connecting it to the upside of the building. building. 
   
 
   


 

The place of war museum has the close relationship with cemetery of war martyrs of its surrounding ... Finally, It was decided to depict the framework and landscape construction of Holy defense collections with the concept of martyrs tomb made special memory in the mind of citizens :
   
 
 
 
 
 
 
 

Award
Year Award Project

2016 ISLAMIC REVOLUTION AND HOLY DEFENSE MUSEUM | Fourth www.irhdm.ir
gostore بازدید : 29 یکشنبه 07 شهریور 1400 نظرات (0)

VENICE PAVILION

2016 - Concept Design
Facts + Figuress
Location VENICE
Date Of Design 2016
Area 15 m2
Status Concept Design
Description

Venice wall and Tehran wall

Venice wall and Tehran wall

Architect Hassan Soltanpour
Nick Name Amin Soltanpour
Company Soltanpour Studio

معمار : امین سلطانپور (حسن سلطانپور)

شرکت : سلطانپور استودیو

این مطلب از سایت : https://www.soltanpourstudio.com گرفته شده است  

Award
Year Award Project

2016 Venice biennale 2016 | Nominated Venice pavilion
gostore بازدید : 27 یکشنبه 07 شهریور 1400 نظرات (0)

SHADOWS

2018 - Concept Design
Facts + Figuress
Date Of Design 2017
Height 3 M
Status Concept Design
Description
... The Shadows (Hiroshima Atomic Bombardment Remembrance)

In a world where its elements formulate in a general equilibrium. Light and shadows generally produce pleasant experiences for humans. In the science of physics, light, shadow and object as 3 variables lie in the same synchronous relationship, in such a way that at one particular time each of them is dependent on another, and these are the trilogues fixed in physics. The plot we are discussing is a wall that is composed of shadows that sometimes form a combination of these trilogy and sometimes deliberately shatter it and shadows such as graffiti art (wall painting) as Artifact will form.What is clear is that the natural shades will be the product of the same physical laws and seemingly realistic worlds of humanity, but more artifacts have been experienced in images created in paintings, graphics and cinema. Images whose presence of light and object as the two main elements of the appearance of the shadow are eliminated. These shadows, along with natural shadows, will try to disturb the rules in the mind of the audience.our view, this is a painting, a graphic effect. The creative mind of human beings . our view, this is a painting, a graphic effect. The creative mind of human beings !!!

NEWS

On August 6, 1945, an atomic bomb fired over Hiroshima, after the explosion of a bomb in Hiroshima and Nagasaki cities, was recorded in some areas due to the intensity of the blast and light shadow of bodies and humans on the levels, which was the only sign that They stayed.A few seconds after the light was shining and the shadows recorded, they reached the explosion and heat wave and turned it into ash and steam. This caused the shadow of the bodies to remain on urban elements for a long time.Such events may be a source of insight into the impact of human thought and its nature on the recording of a variety of unnatural events in the world.

NEWS
Rience the shadows when the light reaches infinity!

There is not Salvador Dolly here to imagine, nor the photoshop that he picks, nor the camera that they record, but they are surreal roles in our realistic world, which have shaped the nature of mankind and the will of human beings.

Architect Hassan Soltanpour
Nick Name Amin Soltanpour
Company Soltanpour Studio

معمار : امین سلطانپور (حسن سلطانپور)

شرکت : سلطانپور استودیو

این مطلب از سایت : https://www.soltanpourstudio.com گرفته شده است

gostore بازدید : 36 یکشنبه 07 شهریور 1400 نظرات (0)

THE BOXES NUMBER 1

2017 - Competition
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Facts + Figuress
Location Tehran
Date Of Design 2017
Area 200
Height 7 M
Status Competition
Description
what do crows see ?

When reading a context, we will definitely get certain concept from it but If we take a look at the words of the same text individually, we will understand the meaning apart from the meaning of the whole sentence. Buildings inside the city are like the arrangement of these words within the sentence. When in at the streets and alleys we look at the buildings one by one , is like a time we look at the words separately in a sentence and sometimes is impossible to understand whole concept of the sentence ( here means the city we live) and presumably we hardly feel connection between words . Look at above pictures , will see buildings(objects) are fixed in the city and indeed in all the pictures objects are the same objects in other pictures and just the position of the subjects have been changed. And the subject's perception of objects in picture (1) with perception of the same object in picture (3) is completely different , A man and a flying crow in the sky will understand the various mental images of the nature and relationship between objects. As a result, we will see that always changing the structure of objects does not change our understanding of that object, but only by changing the position of the subjects can the same difference in the formation of a different mental image. When dealing with the subject of interior design, humans are usually placed in the center of space and in a fixed position relative to the walls of the building, As in cities, people are among the alleys and streets between them, and they have less opportunity to understand the generalities of the city and the relations of the buildings in it as a whole like a crow We want to know if the opportunity created by changing the subject to the object in the above illustrations can be obtained in the interior design of the building as a small scale generalization?With the difference that once words within a sentence have been replaced by buildings within the city, and now the rooms will be replaced within a building.

Design of the subject or the object :

Certainly, for me, the experience of different spatial qualities, through the automaticization of the object to discover unknown frontiers, even if at the expense of being accused of the formalist approach, is always attractive and defensible, but the problem we are now looking for is precisely the picture of confronting it with its object With each approach . We want to change the relationship between the subject and the object and instead of exploring the object's content, in the opposite of the constituent space, we place the building in its simplest and most basic way to see if we can only experiment with the design of the positon of subject get a new one.

Design of the subject or the object :

In order for humans to have a different image of cities like crows, without boarding the airplane and climbing the mountains, they must fly like crows, or, like fantasy stories, reverse the earth and the sky, so that the city It will appear as a vision in front of the eye . In order to achieve a different understanding of the city, we can do this in an imaginary way and turn the city in, and now people can walk instead of narrow alleys and watch their walls, see the objects themselves, the street and the relationships between them. But in the interior design, we do not really do this so we can see how to create a level of recognition just by designing the subject with an initial layout of the home space (even in its simplest form)! How to change the position of man (subject) and put it in a new layer to a different mental image like a crow!

IN THE CITY AND IN THE HOME :

With a simple displacement, spaces like the scene of the show will be placed in front of the eyes of the viewer, and each space will be independent of each other, so the relationships between spaces and universality of space would be understandable and concrete to the prese

IN THE CITY AND IN THE HOME :
Subjects can directly understand the relationships and structure between the components :

As the crows can find the relationship between buildings and elements within the city, in here, the subjects will easily understand the relationships between rooms and spaces within the building and the accesses and relationships between them too. The equipment and applications of each space are located in a central core within each space, and the outer walls of each space are free and the ability to communicate between spaces exists.

Subjects can directly understand the relationships and structure between the components :

Architect Hassan Soltanpour
Nick Name Amin Soltanpour
Company Soltanpour Studio

معمار : امین سلطانپور (حسن سلطانپور)

شرکت : سلطانپور استودیو

این مطلب از سایت : https://www.soltanpourstudio.com گرفته شده است

 

Award
Year Award Project

2017 Dolce vita competition | Third Dolce vita company
gostore بازدید : 29 یکشنبه 07 شهریور 1400 نظرات (0)

PARSA DENTAL CLINIC

2018 - Built
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Facts + Figuress
Location Nour , Mazandaran , Iran
Date Of Design 2017
Date Of Completion 2018
Area 250
Height 3.5
Status Built
Description

Architect Hassan Soltanpour
Nick Name Amin Soltanpour
Company Soltanpour Studio

معمار : امین سلطانپور (حسن سلطانپور)

شرکت : سلطانپور استودیو

این مطلب از سایت : https://www.soltanpourstudio.com گرفته شده است

 

gostore بازدید : 29 یکشنبه 07 شهریور 1400 نظرات (0)

SIVANANDA YOGA CAMP

2019 - Concept Design
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Facts + Figuress
Location Val Morin, Quebec,Canada
Date Of Design 2019
Area 1000 m2
Height 15 m
Status Concept Design
Description

Architect

Architect Hassan Soltanpour
Nick Name Amin Soltanpour
Company Soltanpour Studio

معمار : امین سلطانپور (حسن سلطانپور)

شرکت : سلطانپور استودیو

این مطلب از سایت : https://www.soltanpourstudio.com گرفته شده است

gostore بازدید : 30 یکشنبه 07 شهریور 1400 نظرات (0)

THE BOXES NUMBER 2

2019 - Under Construction
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Facts + Figuress
Location Lahijan , Gilan , Iran
Area 250
Height 9 M
Status Under Construction
Description

Designer

Architect Hassan Soltanpour
Nick Name Amin Soltanpour
Company Soltanpour Studio

معمار : امین سلطانپور (حسن سلطانپور)

شرکت : سلطانپور استودیو

این مطلب از سایت : https://www.soltanpourstudio.com گرفته شده است

Company Soltanpour Studio
gostore بازدید : 27 یکشنبه 07 شهریور 1400 نظرات (0)

GLASS BUILDING

2015 - Concept Design
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Facts + Figuress
Location Tehran
Date Of Design 2016
Area 1000 m2
Height 17 M
Status Concept Design
Description
Headquarters building of Ghazvin glass factory :

In different yeras glass was an intermediate element affected the visual freedom and also the level of availability of people toward each other and it can create different meanings for different political and social goals. In a way that giving shape to democratic societies and development of social freedom against fascism buildings included tall and spinal walls in order to hide realities and humiliate human beings versus their own power, the measure of using these things has sometimes increased or at least undergone some changes and this material has been often used for accessibility of two concepts of existing and availability.

Therefore, the relation between the people of society and political and social structures in every

Now, we face with the building which is central place of producing glass company. And it is a sort of manufacturer of this material. We are supposed to know this building tends to have what kind of behavioral relation between its citizens and the people of society as a representative part of a large society.... Does mankind tend to have vast relationship with others? or is mankind elusive to have a mutual relationship? And finally, what kind of position this product will have for users in time and present geography.

The answer of writer:

If we accept that the level of peoples' communication in society is changing with social and political changes, we can find out why the society had been receptive of Hitler closed buildings on day and another day it was willing to have open architecture of modernism....So the writer as an architect couldn't have a fixed theory regarding to answer to social matters at the present and future time and also the level of the tendency of mankind about communicating together....But two factors of time and user will express more real answer. Consequently, we can imagine one building which the user is free to search his own special space and create it...In this way he is responder to numerous differences and the user can make an architect of building out of control ....Therefore, the structure of the building is waiting for some answers as a small society that passage of time can create on it, and in this regard , at first the building will be delivered to the customer, won't answer. So the architect and viewers will sit beside each other waiting for answer and result.

The answer of writer:
Historical documentation is the sign of relation in place of glass with different social structure

Historical  documentation is the sign of relation in place of glass with different social  structure
The skeleton of building can be sign of tendency in communicating in society over time :

The skeleton of building can be sign of tendency in communicating in society  over time :
DESIGN START :

1 : From four directions of existed building , three directions are light in relation to the city, therefore, we set free these sides and eastern side neighborhood, allocates to the accessible spaces, staircase, elevator and lavatory. 2: Then one repository of glass panel with different transparent degree has been located in the center of building so that the user can determine intended spaces with supplanting of these glasses, and the level of their availability toward their own coworker and also about city people... 3 : From now on, the users of building with their own discretion will be able to define the kind of space and the level of their own accessibility to other users and outside of the building's passers-by and depending on their own need, they have used the storage glasses ( the product of Ghazvin Glass Company) and returned them into the storage if they don't need them ... 2016 - 2025 - 2040 : One camera can record the life history of building and these recorded annual picture could be the sign of interaction and freedom of choice among man kinds in their own age . Ghazvin glass company considered to construct the building in order to promote its product and encourage people to use more of this product :

SECTION :

SECTION :

Ghazvin glass company considered to construct the building in order to promote its product and encourage people to use more of this product : Do the users tend to be seen by the society? What about their coworkers ? The employees of this company are part of the social and cultural representative of Iran. In your opinion how much tendency will they have in communicating with the society? Can promotion be a victor about social and political thoughts in certain geography?

Architect Hassan Soltanpour
Nick Name Amin Soltanpour
Company Soltanpour Studio

معمار : امین سلطانپور (حسن سلطانپور)

شرکت : سلطانپور استودیو

این مطلب از سایت : https://www.soltanpourstudio.com گرفته شده است

 

Award
Year Award Project

2015 GLASS FACTORY COMPETITION | Nominated Ghazvin glass company
gostore بازدید : 25 یکشنبه 07 شهریور 1400 نظرات (0)

BARKA RESIDENTIAL AND OFFICE

2013 - Built
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Facts + Figuress
Location Karaj, Iran
Date Of Design 2011
Date Of Completion 2013
Area 890
Height 18 m
Status Built
Description

Architect Hassan Soltanpour

Architect Hassan Soltanpour
Nick Name Amin Soltanpour
Company Soltanpour Studio

معمار : امین سلطانپور (حسن سلطانپور)

شرکت : سلطانپور استودیو

این مطلب از سایت : https://www.soltanpourstudio.com گرفته شده است

 

The functional strategy of the design in this land that receives light in both north and south sides, put the private zone in the north side and the public zone in the south side, both with ideal light. The service zone was located between these two parts. Having faced the function like this, we caused such clearness in planning, without any complicated expression. This clarity is presented in the facade too, by unifying the body elements of the project (facade, roof, the wall of parking floor and the yard). The outcome was a double-skin glass façade. This panoramic façade has made a completely transparent shell in the wall. By designing a middle space between the outdoor bright environment and the hall, the connection of inside and outside the building was purified.

Post tension structure is used in this building to provide longer spans and more useful spaces inside the building. Using this structure brought out other advantages, like having the best parking spaces and also preparing the better layout for inner spaces. Heating packages and ducted splits are used as heating and cooling systems in this project. To remove the radiators, the geyser of the package was linked to coil of the splits, so that all the heating and cooling systems were located in the suspended ceiling space

 

Design Features
- Using post tension structure to eliminate the central columns
- Using a buffer space which is a link between the outdoor environment and inner space, and also is a suitable place for sitting and watching the outside of the building
- Locating balconies for having more communication with the outdoor environment
- Opting glass as the material of the balconies to prevent from breaking the harmony of the transparent facade of the building
- Consistency in presenting the external elements; Using the specific forms in linking the elements, in the façade of the project

Award
Year Award Project

2014 Me’mar Award | Fourth Memar magazine - www.memarmagazine.com

2013 Khak Award - Alborz Municipal | First place Alborz Broadcasting Network-Karaj municipality-Islamic city council of Alborz
gostore بازدید : 22 سه شنبه 02 شهریور 1400 نظرات (0)

انیمیشن پت و مت ۴۵ساله شد

برترین‌ها: پت و مت یکی از باسابقه‌ترین و موفق‌ترین استاپ موشن‌های ساخته شده در دنیاست که در زمینه‌ی بسیار خاصی مشهور شده است، آن هم در خنگ بازی، خراب کاری و به هم ریختن همه چیز! به طوری که در این سال‌ها هنوز کسی نتوانسته به حد آن‌ها با گیج بازی، موفق و معروف شود.

انیمیشن پت و مت ۴۵ساله شد

تولید این سریال کارتونی که هر کسی با آن خاطره دارد، امروز ۴۵ ساله شد که روش تولید و تجارب سازندگان آن در این سال‌ها می‌تواند برای دیگران بسیار با ارزش و کاربردی باشد.

پت همان عروسکی است که لباس زرد پوشیده و کلاهی صاف بر روی صورت گردش قرار گرفته، دوست و همسایه اش مت هم لباس قرمز پوشیده و کلاهی منگوله دار بر روی صورت کشیده اش دارد. هر دو شلوار جین و کفش مشکی پوشیده اند و دماغ و گوش بزرگ شان به چشم می‌آید.

آن‌ها با وجود اینکه اصلا حرف نمی‌زنند، اما حرکات خاصی دارند که احساسشان را نشان می‌دهد، مثلا هر وقت کار اشتباهی ازشان سر می‌زند، پس سرشان را می‌خارانند یا هر وقت به فکر یا روش جدیدی می‌رسند دست شان را به نحو خاصی تکان می‌دهند.

در آخر وقتی از نتیجه کارشان راضی می‌شوند، دست‌هایشان را به هم می‌زنند، که این کار یک ژست خیلی رایج بین مردم کشور چک است، یعنی ما موفق شدیم!

البته در گذشته و قبل از پت و مت زیاد رایج نبود، اما این دو کاراکتر باعث شدند که این حرکت به نشانه مردم چک در زمان پیروزی تبدیل شود.

امروز و در این مطلب قصد داریم به بهانه سالروز تولید این انیمیشن دوست داشتنی اولین قسمت کارتون را به شما نشان دهیم، با ما همراه باشید:

اولین قسمت: تعمیرکاران (Tinkers, ۱۹۷۶)

در این فیلم کوتاه که حدودا ۶ دقیقه است، شخصیت‌های پت و مت در دنیای انیمیشن‌ها متولد می‌شوند.

موضوع داستان این است که آن‌ها می‌خواهند خوراک مرغ بخورند، اما در حین آماده سازی، سینک ظرف شویی جابه جا می‌شود، لوله آب می‌ترکد، زمین سوراخ می‌شود، جریان آب به خانه همسایه می‌رود، غذا در هود اجاق گاز گیر می‌کند و حتی تخم مرغ شان به جوجه تبدیل می‌شود! آن‌ها در نهایت منتظر می‌مانند تا شاید جوجه بزرگ شود و بتوانند آن را بخورند.

رابوکالا

اسباب بازی

لیدی مد

خانه چین

امین سلطانپور

انیمیشن پت و مت ۴۵ساله شد

 

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